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Art on My Mind: Visual Politics

Description:

The canonical work of cultural criticism by the “profoundly influential critic” (Artnet), in a beautiful thirtieth-anniversary edition, featuring a new foreword by esteemed visual artist Mickalene Thomas

“Sharp and persuasive.” —The New York Times Book Review on the original publication of Art on My Mind

Art on My Mind, “one of the country’s most influential feminist thinkers“ (Artforum) offers a tender yet potent suite of writings for a world increasingly concerned with art and identity politics. This collection of bell hooks’s essays, each with art at its center, explores both the obvious and obscure: from ruminations on the fraught representation of Black bodies, to reflections on the creative processes of women artists, to analysis of the use of blood in visual art.

bell hooks has been “instrumental in cracking open the white, western canon for Black artists” (Artnet), with searing essays complemented by conversations with Carrie Mae Weems, Emma Amos, Margo Humphrey, and LaVerne Wells-Bowie. Featuring full-color artwork from giants such as Jean-Michel Basquiat, Lorna Simpson, and Alison Saar, Art on My Mind “examines the way race, sex and class shape who makes art, how it sells and who values it” (The New York Times), while questioning how art can be instrumental for Black liberation. In doing so, hooks urges us to unravel the forces of oppression that colonize our imaginations.

With a new foreword from acclaimed contemporary artist Mickalene Thomas, this thirtieth-anniversary edition passes the torch to a new generation of artists, capturing hooks’s simple yet evergreen affirmation: art matters—it is a life force in the struggle for freedom. Art on My Mind is essential reading for anyone looking to find lessons on liberation and creativity in the world of color—the free world of art.


Editorial Reviews

Review

Praise for Art on My Mind:
Art on My Mind is at once a grounded and rigorous engagement with existing structures of power and a visceral, dreamy meditation on creative expression, written with clarity, warmth and ease.”
The New Statesman

“In an art world obsessed with identity politics, 
Art on My Mind is a long-overdue rescue of the liberating, rather than confining, power of art.”
Paper magazine

“Sharp and persuasive.”
The New York Times Book Review

“[
Art on My Mind] is a guide to the ways that political meaning and esthetic pleasure may be discovered, bound together, in many works by contemporary artists of color.”
Art America

“[hooks] brings a welcome clarity to such issues as received art and the development of a Western canon.”
San Francisco Examiner


“Passionate and highly personal.”
—Publishers Weekly, starred review

"A classic work of intersectionality, Art on My Mind escaped the tidy halls of mainstream art criticism, offering new and original ways to look at art in relation to race, gender, and the world. In the process, bell hooks also offered a corrective to us white feminists who belatedly realized that we had enthusiastically acknowledged but not sufficiently respected the hard-fought contributions of Black women."
—Lucy R. Lippard, author of Mixed Blessings: New Art in a Multicultural America

About the Author

bell hooks (1952–2021) was the author of over thirty books, including the feminist classic Ain’t I a Woman, the memoir Bone Black, andthe New York Times bestselling All About Love.

Details:

Art on My Mind: Visual Politics

Product ID: U1620979268
|

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Imported From: United States

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Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of Qatar. Any items found to be restricted or prohibited for sale within the Qatar will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in Qatar are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Art on My Mind: Visual Politics

Product ID: U1620979268
Art on My Mind: Visual Politics-0
|

Returns & Warranty policies

Imported From: United States

At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.

Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.

Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.

If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.

Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.

While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.

Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.

BOLO operates in accordance with the laws and regulations of Qatar. Any items found to be restricted or prohibited for sale within the Qatar will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in Qatar are listed on our website.

All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.

All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.

Description:

The canonical work of cultural criticism by the “profoundly influential critic” (Artnet), in a beautiful thirtieth-anniversary edition, featuring a new foreword by esteemed visual artist Mickalene Thomas

“Sharp and persuasive.” —The New York Times Book Review on the original publication of Art on My Mind

Art on My Mind, “one of the country’s most influential feminist thinkers“ (Artforum) offers a tender yet potent suite of writings for a world increasingly concerned with art and identity politics. This collection of bell hooks’s essays, each with art at its center, explores both the obvious and obscure: from ruminations on the fraught representation of Black bodies, to reflections on the creative processes of women artists, to analysis of the use of blood in visual art.

bell hooks has been “instrumental in cracking open the white, western canon for Black artists” (Artnet), with searing essays complemented by conversations with Carrie Mae Weems, Emma Amos, Margo Humphrey, and LaVerne Wells-Bowie. Featuring full-color artwork from giants such as Jean-Michel Basquiat, Lorna Simpson, and Alison Saar, Art on My Mind “examines the way race, sex and class shape who makes art, how it sells and who values it” (The New York Times), while questioning how art can be instrumental for Black liberation. In doing so, hooks urges us to unravel the forces of oppression that colonize our imaginations.

With a new foreword from acclaimed contemporary artist Mickalene Thomas, this thirtieth-anniversary edition passes the torch to a new generation of artists, capturing hooks’s simple yet evergreen affirmation: art matters—it is a life force in the struggle for freedom. Art on My Mind is essential reading for anyone looking to find lessons on liberation and creativity in the world of color—the free world of art.


Editorial Reviews

Review

Praise for Art on My Mind:
Art on My Mind is at once a grounded and rigorous engagement with existing structures of power and a visceral, dreamy meditation on creative expression, written with clarity, warmth and ease.”
The New Statesman

“In an art world obsessed with identity politics, 
Art on My Mind is a long-overdue rescue of the liberating, rather than confining, power of art.”
Paper magazine

“Sharp and persuasive.”
The New York Times Book Review

“[
Art on My Mind] is a guide to the ways that political meaning and esthetic pleasure may be discovered, bound together, in many works by contemporary artists of color.”
Art America

“[hooks] brings a welcome clarity to such issues as received art and the development of a Western canon.”
San Francisco Examiner


“Passionate and highly personal.”
—Publishers Weekly, starred review

"A classic work of intersectionality, Art on My Mind escaped the tidy halls of mainstream art criticism, offering new and original ways to look at art in relation to race, gender, and the world. In the process, bell hooks also offered a corrective to us white feminists who belatedly realized that we had enthusiastically acknowledged but not sufficiently respected the hard-fought contributions of Black women."
—Lucy R. Lippard, author of Mixed Blessings: New Art in a Multicultural America

About the Author

bell hooks (1952–2021) was the author of over thirty books, including the feminist classic Ain’t I a Woman, the memoir Bone Black, andthe New York Times bestselling All About Love.

Details: