Description:
First offering from the eclectic dance band since 2004's 'Always Outnumbered, Never Outgunned'. Their fifth studio album gives a nod in the direction of their earlier work, with a distinct 'rave' sound, it also features guest musicians Dave Grohl from the Foo Fighters and James Rushent from Does It Offend You, Yeah?
Amazon.co.uk
Invaders Must Die finds the Prodigy line-up of Liam Howlett, Keith Flint, and Maxim Reality back together on record for the first time since 2002’s ill-fated, subsequently disowned “Baby’s Got A Temper”. This doesn’t mark a return to the bad old days of punk-rave cabaret, though. No, in fact, Invaders Must Die finds The Prodigy delving even further back into their history, an attempt to recapture the heady rave vibes, one-finger keyboard riffs, and concussive breakbeats of 1992’s Experience and its epochal follow-up, 1994’s Music For A Jilted Generation. True, sometimes it feels a little too transparent in its eagerness to recapture past glories: “Thunder”, with its loping reggae vocal, is undeniably Howlett on form, but it apes the formula of 1992’s “Out Of Space” a little too closely for comfort. Still, the likes of “Omen” and “Take Me To The Hospital” are agreeably back-to-basics cuts that merge nagging melodies and fairground waltzer queasiness with a weighty production job that renders them muscular enough to compete on a level playing field with Justice, Pendulum, et al. “Run With The Wolves” is the one track that harks strongly back to Fat Of The Land, a gnarled, rocky number with Dave Grohl on live drums that finds Keith Flint claiming to be “hung like a hound”. The closing “Stand Up” is a late surprise, meanwhile, a euphoric set-closer with hints of Screamadelica-era Primal Scream. --Louis Pattison
Details:
Visit the The Prodigy Store
Invaders Must Die
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Imported From: United Kingdom
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Visit the The Prodigy Store
Invaders Must Die
Imported From: United Kingdom
At BOLO, we work hard to ensure the products you receive are new, genuine, and sourced from reputable suppliers.
Every product in the BOLO catalogue is sourced through our Verified Global Supply Network of verified sellers, authorized distributors or directly from the manufacturer.
Each product undergoes thorough inspection and verification at our consolidation and fulfilment centers to ensure it meets our strict authenticity and quality standards before being shipped and delivered to you.
If you ever have concerns regarding the authenticity of a product purchased from us, please contact Bolo Support. We will review your inquiry promptly and, if necessary, provide documentation verifying authenticity or offer a suitable resolution.
Your trust is our top priority, and we are committed to maintaining transparency and integrity in every transaction.
While we strive to display accurate information, variations in packaging, labeling, instructions, or formulation may occasionally occur due to regional differences or supplier updates. For detailed or manufacturer-specific information, please contact the brand directly or reach out to BOLO Support for assistance.
Unless otherwise stated, all prices displayed on the product page include applicable taxes and import duties.
BOLO operates in accordance with the laws and regulations of Qatar. Any items found to be restricted or prohibited for sale within the Qatar will be cancelled prior to shipment. We take proactive measures to ensure that only products permitted for sale in Qatar are listed on our website.
All items are shipped by air, and any products classified as “Dangerous Goods (DG)” under IATA regulations will be removed from the order and cancelled.
All orders are processed manually, and we make every effort to process them promptly once confirmed. Products cancelled due to the above reasons will be permanently removed from listings across the website.
Description:
First offering from the eclectic dance band since 2004's 'Always Outnumbered, Never Outgunned'. Their fifth studio album gives a nod in the direction of their earlier work, with a distinct 'rave' sound, it also features guest musicians Dave Grohl from the Foo Fighters and James Rushent from Does It Offend You, Yeah?
Amazon.co.uk
Invaders Must Die finds the Prodigy line-up of Liam Howlett, Keith Flint, and Maxim Reality back together on record for the first time since 2002’s ill-fated, subsequently disowned “Baby’s Got A Temper”. This doesn’t mark a return to the bad old days of punk-rave cabaret, though. No, in fact, Invaders Must Die finds The Prodigy delving even further back into their history, an attempt to recapture the heady rave vibes, one-finger keyboard riffs, and concussive breakbeats of 1992’s Experience and its epochal follow-up, 1994’s Music For A Jilted Generation. True, sometimes it feels a little too transparent in its eagerness to recapture past glories: “Thunder”, with its loping reggae vocal, is undeniably Howlett on form, but it apes the formula of 1992’s “Out Of Space” a little too closely for comfort. Still, the likes of “Omen” and “Take Me To The Hospital” are agreeably back-to-basics cuts that merge nagging melodies and fairground waltzer queasiness with a weighty production job that renders them muscular enough to compete on a level playing field with Justice, Pendulum, et al. “Run With The Wolves” is the one track that harks strongly back to Fat Of The Land, a gnarled, rocky number with Dave Grohl on live drums that finds Keith Flint claiming to be “hung like a hound”. The closing “Stand Up” is a late surprise, meanwhile, a euphoric set-closer with hints of Screamadelica-era Primal Scream. --Louis Pattison
Details:
Similar suggestions by Bolo
Share with
Or share with link
https://www.bolo.qa/products/KO001XU68TZ